{"title":"Mobile Fidelity Sound Lab","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRenowned for its commitment to uncompromising quality and preserving the artist’s original intent, Mobile Fidelity Sound Lab makes the world’s best-sounding vinyl LPs and Super Audio CDs (SACD). Fiercely independent since 1977, the record label pioneered the concept of audiophile reissues. It has released the definitive versions of many of the greatest albums in history — a practice that continues amid a growing catalog that encompasses more than 600 releases.\u003c\/em\u003e\u003c\/p\u003e","products":[{"product_id":"pre-order-parliament-mothership-connection-180-gram","title":"Parliament - Mothership Connection [180 Gram]","description":"\u003cp\u003eGet Funked Up with Mothership Connection: Cosmic Parliament Record Ranked the 363rd Greatest Album of All Time by Rolling Stone, Includes 'Give Up the Funk (Tear the Roof Off the Sucker)'Mobile Fidelity Presents the 1975 Funk Milestone in Audiophile Sound for the First Time for It's 50th Anniversary: 180g 45RPM 2LP Plays with Intoxicating Definition, Immediacy, and Clarity'Do not attempt to adjust your radio. ' The instruction that begins Parliament's Mothership Connection prepares you for an ecstatic journey and establishes the setting for a cosmic trip into galaxies populated with galactic grooves, joyous vibes, cheeky humor, and streetwise slang. This is nearly 39 minutes of some of the best, sweatiest, most enthusiastic funk devised - all laid down by an all-star band bolstered by Bernie Worrell, Bootsy Collins, Fred Wesley, and Maceo Parker. A perfect storm of creativity, chemistry, and composition overseen by leader George Clinton, the 1975 effort ties together Parliament's then-burgeoning blend of bulbous funk, psychedelic soul, rule-breaking rock, science-fiction fantasy, and Afrofuturism themes in seamless fashion. Having spawned three iconic singles, the record later proved a massive influence on the West Coast hip-hop movement that swept through popular culture in the '90s. Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP presents Mothership Connection in audiophile sound for the first time. Parliament's benchmark benefits from the wide groove space by playing with tauter bass, enhanced definition, and more realistic presence than prior editions. Everything from the brassiness of the horns to the crisp slap of the snare to the fleshy snap of handclaps comes across in full-range perspective. On this reissue, the band's dynamics, hooks, and hip-shaking verve practically explode. No matter where you turn, Mothership Connection grabs and holds your attention. A whole lotta rhythm goin' 'round, indeed. Various Original Masters: seee mofi. Com for detailsNumbered 180g 45RPM Vinyl 2LPNUMBERED SPECIAL EDITIONTrack ListSide One:P. Funk (Wants to Get Funked Up)Side Two:Mothership Connection (Star Child)Unfunky UFOSide Three:SupergroovalisticprosifunksticationHandcuffsSide Four:Give Up the Funk (Tear the Roof Off the Sucker)Night of the Thumpasorus Peoples\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797259217\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e MOBILE FIDELITY\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.19.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"URP MUSIC DISTRIBUTION","offers":[{"title":"Default Title","offer_id":51068615917870,"sku":"N821797259217","price":96.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4443770-3418862.jpg?v=1757622024"},{"product_id":"pre-order-heart-dreamboat-annie","title":"Heart - Dreamboat Annie [CD]","description":"\u003cp\u003eBreakthrough Debut Launched Heart's Hall of Fame Career: Dreamboat Annie Blends Electric and Acoustic Elements, Includes the Classics 'Magic Man' and 'Crazy on You'50th Anniversary Edition of 1975 Album Features Audiophile Sound: Mobile Fidelity's Hybrid SACD Plays with Revealing Clarity and Full-Range ResponsivenessHeart's breakthrough debut, Dreamboat Annie, has often been framed in the context of a female-led band successfully matching the moves of it's male counterparts during an era when women weren't associated with rocking out - particularly on a mainstream level. While that take is true - Ann and Nancy Wilson practically stood alone amid a commercial age dominated by testosterone - it undersells the appeal, scope, and craftsmanship of an album that deserves to be revered strictly because of it's merit, not because of the gender of the group's principal members. Mastered at MoFi's California studio and housed in mini-LP-style packaging, Mobile Fidelity's numbered-edition hybrid SACD puts the record's artistic significance in proper perspective. It invites you to hear with stellar clarity the diverse architecture, passionate playing, and fervent emotions that help make Dreamboat Annie an all-time classic. This 50th anniversary edition also marks the first time Heart's opening salvo has been available in audiophile quality on disc in more than a decade.Press 'play' and experience the textures of the guitars, full range of Ann Wilson's voice, spacious backdrops of the arrangements, and rhythmic momentum - crucial components of Heart's songs - free of veiled tones and artificial ceilings. Ample separation between instruments and black backgrounds bring the music into detailed focus, whether it's the full decay of percussive accents, layered stacking of group harmonies, or depth of the bass lines. Helmed by Mike Flicker, Dreamboat Annie features advanced production that belies that of most independent releases of the time. The dynamics alone on this reissue confirm that fact. Although the passage of time, as well as Heart's Hall of Fame career, have nearly caused the historical tidbit to fade into obscurity, Dreamboat Annie was originally issued by the tiny label Mushroom Records after major imprints inexplicably took a flyer on the album. Released in Canada in September '75, it hit shelves in the States in February of the following year. By the fall of 1976, Heart had a platinum LP and three hit singles. As well as an upcoming battle with Mushroom Records that, while another story entirely, further underlined the Wilson sisters' toughness and determination. Those traits resonate throughout Dreamboat Annie, which kicks off with the spellbinding 'Magic Man.' Released in advance of the LP as the quartet's second single, the Wilson sisters' anthem partially doubles as an autobiographical tale based on Ann Wilson's then-relationship with band manager Michael Fisher. His brother, Roger, turns in memorable lead-guitar passages that connect with the song's funk-laden structures and Ann Wilson's commanding singing. Mystical, rugged, sensual, persuasive, steady, edgy, well-composed: 'Magic Man' possesses a majority of the elements that would define Heart's finest songs and, fittingly, stands as the ensemble's first Top 10 smash.While the record's debut Stateside single, 'Crazy on You' didn't climb quite as high, it cracked the Top 40 and demonstrated the authoritative momentum, melodic build, and contagious crunch that the group was capable of summoning without seemingly breaking a sweat. Heart's now-trademark acoustic-electric frameworks, Ann Wilson's ravishing power, and ace timing are all here in spades. Not to be overlooked, the declarative 'Sing Child' and strutting 'White Lightning \u0026amp; Wine' contain similarly aggressive elements, with the latter combining boogie riffs, cowbell-driven beats, and blustery vocals to remind anyone paying attention that Heart means business. The band further separated itself from it's rock contemporaries via a trove of lighter material. Eclipsing the six-minute mark, 'Soul of the Sea' depicts Heart's ambitious interest in psychedelia, blues, and folk. Heart's tender side also emerges on the misty ballad 'How Deep It Goes,' a prime example of Ann Wilson's penchant to deliver softness with the same penchant she does heaviness - and a standout for Nancy Wilson's prowess on guitar. Both sisters similarly shine on the crossover '(Love Me Like Music) I'll Be Your Song,' whose mix of vulnerability, strings, and handclaps signal the extraordinary vision Heart had from the start. Decades later, it all sounds better than ever. Numbered Hybrid Stereo SACDNUMBERED SPECIAL EDITIONTrack List1. Magic Man2. Dreamboat Annie (Fantasy Child)3. Crazy on You4. Soul of the Sea5. Dreamboat Annie6. White Lightning \u0026amp; Wine7. (Love Me Like Music) I'll Be Your Song8. Sing Child9. How Deep It Goes10. 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Or the typical wounded singer wallowing in self pity. Morissette, and both the lead single from and her entire American major-label debut - the profoundly personal Jagged Little Pill - represented a sea change. They kickstarted a movement, one whose impact continues to echo throughout the mainstream nearly three decades later. Ranked the 69th Greatest Album of All Time by Rolling Stone, Jagged Little Pill has sold more than 17 million copies in the U.S. and 33 million units worldwide. It's a statement, an attitude, a soundtrack for anyone seeking inspiration, an outlet, or permission to be themselves.Sourced from the original master tapes, pressed on MoFi SuperVinyl, and strictly limited to 4,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set of Jagged Little Pill presents the landmark effort in audiophile-grade sound for the first time. Enhanced by SuperVinyl's nearly inaudible noise floor and superior groove definition, Glen Ballard's smooth production comes through with an openness, presence, and dynamic explosiveness that make the vocalist's songs that much more visceral. The singer's mezzo-soprano deliveries resonate with full-range ardor. And Morissette's confessional words take center stage like never before. If you're seeking to experience every facet about the 17th-best-selling LP in history, this is the definitive way to do it on vinyl. Consider that a fact that you oughta know.1\/2' \/ 30 IPS ANALOG MASTER DSD 256 ANALOG CONSOLE LATHENumbered Limited Edition UD1S180g 45RPM 2LP SuperVinyl Box SetSTRICTLY LIMITED TO 4,000 COPIESTrack ListSide One:1. All I Really Want2. You Oughta Know3. PerfectSide Two:1. Hand in My Pocket2. Right Through You3. ForgivenSide Three:1. You Learn2. Head over Feet3. Mary JaneSide Four:1. Ironic2. Not the Doctor3. 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And many came after. But few, if any, matched the English trio's chemistry and it's elevated combination of virtuosity, vision, and verve. Having influenced a multitude of followers, ELP's prowess was obvious from the start. The band's self-titled debut stands as a towering statement of creative imagination, execution, and discipline more than five decades after it's original release. Opening the door to the seemingly infinite possibilities of progressive rock while steering clear of excess, Emerson, Lake \u0026amp; Palmer achieved a rare feat in that it's cerebral music didn't prevent it from attaining mainstream success. The gold-certified effort launched the career of a band that would sell tens of millions of records.Mastered at MoFi's California studio and housed in mini-LP-style packaging, Mobile Fidelity's hybrid SACD of Emerson, Lake \u0026amp; Palmer presents the benchmark debut in audiophile sound. Clear, dynamic, and balanced, this numbered-edition reissue honors the perfectionist approaches that both informed the playing and recording of the record. It brings to light the epic scope, tonal depth, and mind-bending degrees of musicianship on display. Aspects - textures, nuances, effects, tempo changes - that go hand-in-hand with the trio's compositions are rendered amid broad soundstages and delivered with pinpoint detail. Whether you've owned multiple copies of this touchstone or are seeking out your first version, you'll relish the presence, imaging, and crispness that help make every song come across with exceptional realism.Numbered Hybrid Stereo SACDNUMBERED SPECIAL EDITIONTrack List1. The Barbarian2. Take a Pebble3. Knife-Edge4. The Three Fates: a. Clotho b. Lachesis c. Atropos5. Tank6. 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Yet the ambitious approach, which showed off the band's diversity, creativity, flair, and fun, took precedence like never before on Diver Down. Featuring five covers, many of which became radio staples, the record sprung from the band's desire to remain relevant while taking a breather after four massively successful records and their respective tours. More than four million copies later, suffice it to say Diver Down achieved it's goal. Mastered from the original analog tapes, pressed on MoFi SuperVinyl, and strictly limited and numbered, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set is the definitive version of the 1982 album.\u003c\/p\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797203623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e MOBILE FIDELITY\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"URP MUSIC DISTRIBUTION","offers":[{"title":"Default Title","offer_id":51068673884462,"sku":"N821797203623","price":211.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4059030-3432138.jpg?v=1757622356"},{"product_id":"pre-order-james-brown-sex-machine-180-gram","title":"James Brown - Sex Machine [180 Gram]","description":"\u003cp\u003eGet Up, Give It Up, and Turn It Loose: James Brown and His Bands Deliver Electrifying Performances on the Funky Sex Machine, Ranked Among the 500 Greatest Albums of All Time by Rolling StoneMonster 1970 Double Album Presented in Audiophile Sound for the First Time: Mobile Fidelity's Numbered-Edition 180g 33RPM 2LP Set Plays with Explosive Dynamics and Vibrant ImmediacyJames Brown wants to know one thing before he and his band begin Sex Machine. 'Can I get into the thing, really?,' he asks. His cohorts enthusiastically respond in the affirmative. And for the next hour and change, Mr. Dynamite gets into it and more, turning in a sweat-soaked, feet-moving, hip-swiveling, emotion-purging, in-thered, drop-everything-you're-doing-and-dance performance for the ages. Ranked by Rolling Stone among the 500 Greatest Albums of All Time, the sweeping 1970 effort towers as a testament to Brown's inimitable legacy as well as the peak powers of his voice, vibrancy, and bands. Despite involving multiple groups and both studio and onstage recording locations, Brown not only makes it all work. He makes it positively electrifying.Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 33RPM 2LP set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy: Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective. Then there's Brown's superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. This special 55th anniversary reissue of Brown's monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Ain't it funky? Indeed.1\/4' \/ 15 IPS analog master to DSD 256 to analog console to latheNumbered 180g 33RPM Vinyl 2LPNUMBERED SPECIAL EDITIONTRACK LISTSide One:1. Get Up I Feel Like Being Like a Sex Machine2. Brother Rapp (Part I and Part II)Side Two:1. Bewildered2. I Got the Feeling3. Give It Up or Turnit a LooseSide Three:1. I Don't Want Nobody to Give Me Nothing2. Licking Stick3. Low Down Popcorn4. Spinning Wheel5. 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Despite attaining superstar success with Fleetwood Mac, the singer often took a back seat to the band's other members - and, due to the group's approach, faced limitations in getting her songs on an album. Along with Nicks' status as a significant artistic force in her own right, that all changed with the timeless Bella Donna. Teaming with simpatico producer Jimmy Iovine and fellow rock 'n' roll icon Tom Petty, and backed by an all-star cast, Nicks asserted control over the creative process for the first time. She allowed the material to develop spontaneously - a characteristic you readily experience via the record's natural, balanced sonics and raw emotionalism.Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and strictly limited to 4,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set of the 1981 album plays with superb transparency, dynamics, and detail. Benefitting from extraordinary groove definition, an ultra-low noise floor, and extremely quiet surfaces, this vinyl edition captures what went down in the studio with tremendous realism and presence. The warm, extended, tonally rich soundscapes you hear - instrumentation that feels live, vocals that float and yet sound altogether innate, synergy between the players that places them in the same room together - remain as integral to Bella Donna as it's personalized songs. 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Yet the ambitious approach, which showed off the band's diversity, creativity, flair, and fun, took precedence like never before on Diver Down. Featuring five covers, many of which became radio staples, the record sprung from the band's desire to remain relevant while taking a breather after four massively successful records and their respective tours. More than four million copies later, suffice it to say Diver Down achieved it's goal. Mastered from the original analog tapes, Mobile Fidelity's numbered-edition hybrid SACD is the definitive digital version of the 1982 album.\u003c\/p\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 821797224765\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e MOBILE FIDELITY\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e","brand":"URP MUSIC DISTRIBUTION","offers":[{"title":"Default Title","offer_id":51068697116974,"sku":"N821797224765","price":61.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4058775-2789258.jpg?v=1757622520"},{"product_id":"pre-order-doobie-brothers-minute-by-minute-180-gram","title":"Doobie Brothers - Minute By Minute [180 Gram]","description":"\u003cp\u003eThe Doobie Brothers Create the Template for Yacht Rock: Grammy-Winning Minute by Minute Features 'What a Fool Believes,' Superb Harmonies, and Soulful MelodiesSourced from the Original Analog Master Tapes and Given Extra Groove Space: Mobile Fidelity's Numbered-Edition 180g 45RPM 2LP Set of 1978 Album Plays with Incredible Openness and DepthMinute by Minute saved the Doobie Brothers even as it nearly broke the band. Created when the group felt uncertain of it's place in the music world, the album catapulted the sextet to new commercial heights and signaled a distinct change in direction that the mainstream wholeheartedly embraced. Having sold more than three million copies, the four-time Grammy-winning Minute by Minute remains a pop landmark. Perhaps the Doobie Brothers didn't invent 'yacht rock' with the warm, hook-laden 'What a Fool Believes' and other similarly minded cuts on the radio-friendly Minute by Minute - look to the Top 20 title track, relaxed 'Open Your Eyes,' and horn-accompanied 'Dependin' on You' for further evidence - but the band essentially created the template many others would follow.Sourced from the original master tapes, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, Mobile Fidelity's numbered-edition reissue presents the 1978 effort on 180g 45RPM 2LP for the first time on what is the definitive-sounding vinyl version of the Rock \u0026amp; Roll Hall of Famers' biggest-selling record. Produced by Ted Templeman, Minute by Minute features noncongested openness, snappy rhythms, wonderful tonal balance, exceptionally clear vocals, and the right equilibrium of fine Polish and bluesy grit. 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Picking up where she left off on Heart Like a Wheel, the singer pairs with the same perfectionist-oriented producer and many of the same session pros on a follow-up in every way the equal of her 1974 breakthrough. The platinum-certified set not only established Ronstadt as an all-time great. It confirmed her as the voice of the decade, a performer the press soon deemed 'The First Lady of Rock.' Ronstadt turns to her career-long strengths - interpretative covers, roots-based music, aching balladry - and seamlessly jibes with a Hall of Fame-worthy cast that includes James Taylor, JD Souther, and David Grisman.Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set plays with reference-caliber definition, depth, and dimensionality. The definitive vinyl version of Prisoner in Disguise, it lifts prior veils that impeded the gorgeous singing and craftsmanship gracing the 11 songs. The elevated degrees of clarity, presence, and separation exceed those of even Mobile Fidelity's long-out-of-print 33RPM reissue. Vocals resonate with superb tonality, openness, and naturalism. Ronstadt's wide-spanning range and varied subtleties come across with rich, transparent detail. 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To a majority of listeners who encountered it shortly after it was released the same week Woodstock happened in 1969, the record seemingly came from another planet despite the fact it's songs reflect the band's Detroit surroundings and youthful malaise. Originally deemed by Rolling Stone 'loud, boring, tasteless, unimaginative and childish' only later to be included on the magazine's 500 Greatest Albums of All Time register, The Stooges established the template for myriad styles and the snarling attitude that would be associated with the still-yearsaway punk scene.Sourced from the original master tapes, pressed at Fidelity Record Pressing, housed in a Stoughton gatefold jacket, and reissued to celebrate Elektra 75, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set marks the first time Iggy Pop and Co.'s groundbreaking statement is available at 45RPM speed. This definitive-sounding copy benefits from the extra groove space by playing with enhanced definition, greater separation, and more realistic presence than prior versions. The characteristics that help make The Stooges unique - the welling fuzztones; the dark, wet smack of the low end; the cavernous reverb and wah-wah maw; the nearly detached timbre of Pop's vocal sneer; the grit, grime, and grind of the stacked rhythms - come across with involving clarity, liveliness, detail, and dimensionality. It's maybe as close as music has ever come to literally vibrating. 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Setting: The storied Fillmore West in San Francisco, CA. Context: Miles Davis, three days removed from his first session for Jack Johnson and, with newly recruited soprano saxophonist Steve Grossman in tow, opening shows for countercultural heroes the Grateful Dead on the latter's home turf. Result: The initial rumblings of a thrilling era in which Davis and his cohorts would again upend jazz and popular conceptions of the genre with music steeped in groove, improvisation, and hang-on-for-your-life adventurousness. All captured on Black Beauty: Miles Davis at Fillmore West. Given Davis was only months away from releasing the pioneering Bitches Brew, it shouldn't come as a surprise that much of the fare here adheres to similar explorative approaches.Masted at MoFi's California studio, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 2LP set helps bring what went down that spring evening in Bill Graham's venue to your listening room with exceptional clarity, balance, and presence. Originally only released in Japan in 1973 and unavailable in the United States until the late '90s on compact disc, this marks the first time Black Beauty has been issued on domestic vinyl. These LPs present the band's livewire energy and torrential storm of notes with captivating dynamics, pacing, and fullness. 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As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 50 years later, still sounds far ahead of it's time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's UltraDisc One-Step 180g 2LP vinyl box set.Mastered from the original master tapes, pressed on MoFi SuperVinyl at RTI, and strictly numbered and limited, this definitive reissue enhances every element of a double album that established new possibilities for studio recording techniques. You'll hear wider and deeper soundstages, more separation between instruments, and a drastically broadened dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint abstract canvases on par with those of Axis: Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew pressing befit such extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense is spared. Aurally and visually, it exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything surrounding the album, from the images to the finishes. 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This despite the fact that roughly half of the double album consists of new studio songs, including a zesty cover of the Zombies classic 'She's Not There' that reached the Top 30. However unconventional, the 'split' strategy went over like gangbusters. Moonflower reached the Top 10 of the Billboard Top 200 and achieved double-platinum status - feats the group would not again replicate for 22 years. These, and the beautiful quality of the program itself, are among the reasons why the 1977 effort remains viewed by critics and fans alike as a must-have.Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, housed in a Stoughton jacket, and strictly limited to 3,000 numbered copies, Mobile Fidelity's 180g 33RPM 2LP set of Moonflower presents the record in audiophile sound for the first time on a domestic reissue. The enhanced sonics extend not only to Carlos Santana's six-string wizardry, but to the rhythmic, melodic, and vocal elements coursing through both the studio and live cuts: the grip and depth of the bass lines; the wash of the organ; the scope and carry of the vocals; and much more. So whether you fall for the sidewinding spell of a spicy rendition of 'Black Magic Woman\/Gypsy Queen,' lose your head to the momentum of 'Soul Sacrifice\/Head, Hands \u0026amp; Feet,' or keep dropping the needle on the savory grace of the brilliant reading of 'Europa (Earth's Cry Heaven's Smile),' this pressing of Moonflower puts you in good hands.1\/4' \/ 15 IPS ORIGINAL ANALOG NON-DOLBY MASTER DSD 256 ANALOG CONSOLE LATHENumbered 180g 33RPM 2LPLIMITED EDITION OF 3,000Track ListSide One:1. Dawn\/Go Within2. Carnaval3. Let the Children Play4. Jugando5. I'll Be Waiting6. ZuluSide Two:1. Bahia2. Black Magic Woman\/Gypsy Queen3. Dance Sister Dance (Baila Mi Hermana)4. 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For their final act, they created Sketches of Spain, a peak moment in each legend's legacy. The transformative record weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a like-minded partner to help draw out tones, shades, and textures. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed 'a work of unparalleled grace and lyricism' by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken 'jazz in a new direction,' Sketches of Spain remains universallyrenowned.Part of Mobile Fidelity's Miles Davis restoration series, the 1960 landmark has been afforded the ultimate white-gloves treatment for it's 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a prior dryness that many critics found inhibitive to the record's enjoyment. You'll hear the full-range extension of woodwinds, strings, and percussion, all of which come alive with superior definition and detail amid ultra-quiet backgrounds. Sonically, the results are as breathtaking as the music, and a personal invitation to pull up a chair and enjoy what went down at Columbia 30th Street Studio decades ago in New York City.1\/4' \/ 15 IPS ANALOG MASTER DSD 64 ANALOG CONSOLE LATHENumbered Limited Edition UD1S180g 33RPM LP Box SetNUMBERED LIMITED EDITION OF 5,000Track ListSide One:1. Concierto de Aranjuez2. Will o' the WispSide Two:1. The Pan Piper2. Saeta3. 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In classic understated British fashion, the band simply let it's music speak for itself. And how. Originally released in September 1991, On Every Street became the group's swan song - a lasting testament to the influence, musicianship, and integrity of an ensemble whose merit has never been tainted by cash-grab reunions or farewell treks. It remains an essential part of the Dire Straits catalog and a blueprint of the distinctive U.K. roots rock the collective played for it's 15-year career.Sourced from the original master tapes, housed in gatefold packaging, and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of On Every Street presents the album like it has always been meant to be experienced: in reference-grade audiophile sound. Recorded at AIR Studios in London and produced by Dire Straits leader Mark Knopfler, it features all of the band's sonic hallmarks - wide instrumental separation, visceral textures, seemingly limitless air, broad soundstages, atmospherics that you can almost reach out and feel. Each element is made more vibrant, physical, and lifelike on this collectible reissue, which marks the first time this 60-minute work has been available at 45RPM speed.Afforded generous groove space and black backgrounds, the songs from On Every Street burst with nuanced details and vibrant colors. Dire Straits' playing appears to float, their intricate performances organized amid hypnotic, fluid, three-dimensional arrangements. Mobile Fidelity's definitive-sounding set also brings into transparent view Knopfler's finely sculpted guitar lines, expressive tones, and laid-back vocals - as well as the balanced accompaniment from his band mates. 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But what's even more remarkable about Joni Mitchell's exponentially influential and emotionally candid fourth record is that, more than 50 years later, the largely autobiographical work continues to alter contemporary music, cultural, and songwriting landscapes. Deemed the third Greatest Album of All Time by Rolling Stone; universally celebrated by critics, fans, artists, and educators; and defined by a spell of disarmingly vulnerable songs at once confessional, intense, spare, honest, painful, hopeful, and exquisite, Blue charts love, spiritualism, independence, and loss like no record before or since. 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It gives listeners the permission to have fun, sing along to aircraft-hangar-size choruses, play air guitar solos, forget about any troubles, recall the experience of a first kiss, and quite simply, rock out. Few albums better instill these pleasures than Foreigner's 1977 self-titled debut album, a five-times platinum blockbuster chock full of salacious riffs, soaring vocals, edgy beats, and lyrics that practically demand to be shouted. And while the record has always boasted clean, immediate production, never before has it exploded with the dynamic intensity and rich transparency now made possible on Mobile Fidelity's dynamic 180g LP. This is what rock n' roll dreams are made of.Spearheaded by guitar hero Mick Jones, fresh off success with Spooky Tooth, Foreigner rallied around a talented collective pulled from the U.S. and U.K. Joining up with former King Crimson instrumentalist Ian McDonald and drummer Dennis Elliott, as well as keyboardist Al Greenwood and bassist Ed Gagliardi, Jones completed the puzzle with the addition of extraordinary singer Lou Gramm, whose vocal timbre and limitless pipes remain one of the most instantly identifiable combinations in music. Before long, two eternal radio classics - 'Feels Like the First Time' and 'Cold As Ice,' composed on a miniature piano and inspired by Hollywood star Joan Crawford - were in the bag. Eight more tunes, each as solid as those that came before, followed, and Foreigner quickly became an overnight rock sensation.In contrast to much of the era's angrier fare and crudely produced music, Foreigner stood out by way of it's clean, muscular, professional production. Still, Mobile Fidelity believed that underneath the surfaces, an even fresher, bigger-sounding record loomed. Half-speed mastered from the original master tapes, MoFi's 180g LP presents the sextet's roof-raising anthems and scintillating blend of guitars, synths, and Gramm's soulful vocals across a wider, deeper soundstage than ever before imagined. Instrumental separation, tonal balance, and imaging are absolutely superb. Better still, the songs come across with an assertive liveliness that adds to their enjoyment, structure, and melodic character. The accessory flutes, saxophones, and synthesizer solos have never sounded so enmeshed within the overall sonic fabric. 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Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as 'Black Satin,' as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVinyl profile that features the lowest-possible analog noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.New degrees of spaciousness and airiness - equally important to the musique concrete arrangements - give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production - and the trumpeter's cutting-edge aural collages - in definitive fashion.Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties - Chick Corea and Herbie Hancock prominently figure - he also relies on an all-star cast of sidemen for concentrated soloing and additional support.With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.Exotic, intrepid, and filled with Davis' 'jungle sound,' On the Corner remains daringly hip more than four decades later.MoFi SuperVinylDeveloped by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. 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Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.Limited to 15,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the record's merit and allows fans to experience Van Halen's original blend of raw power, Hollywood flair, and vaudeville fun for generations to come. Playing with reference-setting sonics that elevate a 10-times-platinum landmark whose importance cannot be quantitatively measured, this definitive version provides a clear, clean, transparent, balanced, and turn-the-volume-up-to-11 view of an album that birthed entirely new styles. Since MoFi's unique SuperVinyl compound allows you to crank the decibels to your wildest desires without risking noise-floor interference, prepare to not only hear but feel Van Halen in your chest, no fifth-row concert seat necessary.The premium packaging and gorgeous presentation of the UD1S Van Halen pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art - and everything involved with the album, from the iconic cover art to the meticulous finishes and, yes, of course, Eddie Van Halen's pioneering fretwork and his brother Alex's double-bass percussion.Indeed, could a piece of music that transformed how countless guitarists approached their instrument be more fittingly named than 'Eruption'? Likely not, and in just 102 seconds, Eddie Van Halen rewrote, reimagined, and reconfigured a vocabulary last significantly updated a decade earlier by fellow six-string wizard Jimi Hendrix. Akin to the Washington State legend, Eddie Van Halen developed his own techniques and tones all the while making his seismic accomplishments seem effortless. 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A transliterate reference to the migration of the prophet Mohammad in the seventh century, the term to Mitchell symbolized the sensation of 'leaving the dream, no blame' - or, 'running away, honorably.' Largely written as Mitchell traveled alone across the United States and came to terms with her own mental, emotional, and physical health, the sparsely arranged Hejira is the sound of starting over; embracing change; meditating on the divide between free will and possession; channeling the colors, looks, and feelings of landscapes seen and imagined. The 1976 work - deemed the 133rd Greatest Album of All Time by Rolling Stone - also features Mitchell diving into the deep end of the jazz spectrum and partnering on several songs with virtuosic bassist and fellow sonic cosmonaut Jaco Pastorius. 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While most artists follow their breakthrough with an album that closely parallels the approaches that helped make them famous, the singer-songwriter stayed true to herself. As much as the preceding Jagged Little Pill put her on the global radar, Supposed Former Infatuation Junkie confirmed her role as a generational voice. Notable for it's balance, sophistication, and richness, the 1998 smash finds Morissette pausing, taking a breath, and learning how to navigate life in a healthy manner after enduring one of the most exhausting stretches any musician ever experienced. It's the sonic equivalent of a spiritual awakening, a call to betterment, a brave assessment of the self and humanity as a whole.Sourced from the original master tapes, strictly limited to 3,000 numbered copies, and pressed at Fidelity Record Pressing, Mobile Fidelity's 180g 33RPM 2LP set presents the triple-platinum LP in audiophile sound for the first time. 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Engineered by Parsons after he performed the same duties on Pink Floyd's Dark Side of the Moon, the 1977 record reigns as a disc whose taut bass, crisp highs, clean production, and seemingly limitless dynamic range are matched only by the sensational prog-rock fare helmed by the keyboardist. Not surprisingly, it's been issued myriad times. Can it be improved? Relish Mobile Fidelity's stupendous UltraDisc One-Step 180g 33RPM box set and the question becomes moot.Mastered from the original master tapes and pressed at RTI on MoFi SuperVinyl, I Robot comes to life with reference-setting realism on this numbered, limited-edition reissue. Boasting immaculate highs and lows, generous spaciousness, and see-through transparency that takes you into the studio with Parsons and creative partner Eric Woolfson at Abbey Road, this definitive edition is designed to demonstrate the full-range capabilities of the world's best stereo systems while offering listeners the convenience of having all the music on one LP.Featuring a nearly inaudible noise floor, this transcendent UD1S edition functions as a repeat invitation to savor reference-grade soundstages, immersive smoothness, sought-after instrumental separation, three-dimensional imaging, and consummate tonal balances. Able to be played back at high volumes without compromise or fatigue, it is a demonstration record for the ages - the likes of which are no longer being made. This is the very reason you own and invest in high-end audio gear.The special characteristics of this UD1S version extend to the premium packaging. 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Created in the wake of an exhaustive tour for Hotel California and the first album to feature Timothy B. Schmidt, the 1979 album ultimately became the final record the group would create for nearly three decades. Stacked with first-rate material and three mammoth singles, it ensured The Eagles never drifted far from the public consciousness and ended up moving more than seven million copies. 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Sourced from the Original Master Tapes and Limited to 3,000 Numbered Copies: Mobile Fidelity's 180g Vinyl LP of 1974 Album Features Remarkable Tonalities, Airiness, and Aura. 1\/4' \/ 15 IPS analog master to DSD 256 to analog console to lathe. Out of print as a standalone release for decades since it's original 1974 release, and produced by George Harrison, Shankar Family \u0026amp; Friends is an almost-forgotten masterwork - an emotional and sonic pact on which two like-minded souls unite musical styles, cultures, and sounds in wondrous fashion. It's also the second album Harrison's Dark Horse Records released, setting the tone for the label and precedent for a friendship that lasted the remainder of Harrison's life. Sourced from the original analog tapes, pressed at RTI, and limited to 3,000 numbered copies, Mobile Fidelity's 180g LP presents the album in restored sound that illustrates the beauty of the playing, compositions, and chemistry. This reissue makes available on vinyl a title that hasn't been on LP since 1975. Yet it does so much more in the transparent way it showcases the textures, spiritualism, and breadth of compositions primarily recorded by Harrison, Shankar, and an array of distinguished guests at A\u0026amp;M Studios. The inviting aura, generous spaciousness, and well-defined tonalities on this pressing combine to take the music to transcendent heights. Then there's the brilliant playing itself. Memorable contributions from an A-list of American and English musicians - Ringo Starr (drums), David Bromberg (electric guitar), Billy Preston (organ), Nicky Hopkins (piano), Jim Keltner (drums), Klaus Voorman (bass), Robert Margouleff (Moog), Malcolm Cecil (Moog), Tom Scott (saxophone) included - add to the richness of a set that melds Eastern and Western traditions. 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Originally issued in 1964 by Chess Records, the all-acoustic work has made the rounds as a demonstration disc and benefitted from myriad reissues, all of which sought to improve upon Willie Dixon and Ralph Bass' legendary, subtlety-abundant production while bringing the musicians into your room. More than five decades after Waters, Buddy Guy, and company initially gathered in a Chicago studio in September 1963, those feats (and more) are finally accomplished in definitive, unsurpassed fashion courtesy of Mobile Fidelity.Limited to 10,000 numbered copies, pressed on dead-quiet MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's ultra-hi-fi UltraDisc One-Step 180g 45RPM 2LP collector's edition pays tribute to the album's merit and enhances the intimate program for generations to come. Playing with reference-setting sonics that more than justify it's existence in a field filled with prior audiophile reissues of Folk Singer, this spectacular collector's version provides a clear, transparent, ultra-dynamic, and up-close view of a set that inspired Rolling Stone to deem it the 282nd Greatest Album of All Time and proclaim it 'a pioneering 'unplugged' set beloved by blues and folk fans alike.'The premium packaging and beautiful presentation of the UD1S Folk Singer pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art-and everything involved with the album, from the iconic photos to the gorgeous finishes.Such potency reveals itself explicitly on a vinyl set afforded uncanny reproduction of Waters' tobacco-stained singing, booming reach, robust acoustic guitar, and instrumental accompanists-a Hall of Fame group that comprises a very young Guy, stand-up bassist Dixon, and drummer Francis Clay. Accurately portraying the scale of a human voice remains one of the most difficult tasks to accomplish on a recording. And yet the timbre, richness, and realism of Waters' singing here convey the authority of it's inner cavity and considerable depth, allowing notes to individually register all the while pairing with succeeding rhythmic passages in seamless fashion. The presence, feel, and contributions of Waters' esteemed colleagues register, too, with the lifelike nature rivaled only by sitting in a small venue. 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A primary reason why the Boston quintet became America's most popular new-wave band, The Cars launched multiple tunes still heard on radio stations everywhere: 'You're All I've Got Tonight. ' 'Good Times Roll. ' 'Just What I Needed. ' 'Moving in Stereo. ' 'My Best Friend's Girl. '  If you're a fan of pop music, this album is mandatory. At once accessible and eccentric, edgy and catchy, The Cars explodes with emotion, energy, and hooks. It's impossible not to get caught up humming along to every song here. Better still, legendary Queen producer Roy Thomas Baker manned the boards.  Half-speed mastered from the original analog tapes, Mobile Fidelity's numbered limited-edition LP allows the music to be experienced like never before. The pressing epitomizes the sensation of 'moving in stereo!'Tracks:1. Good Times Roll 2. My Best Friend's Girl3. Just What I Needed 4. I'm in Touch With Your World 5. Don't Cha Stop 6. You're All I've Got Tonight 7. Bye Bye Love 8. Moving in Stereo 9. 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The under-heralded 1992 album, Dylan's first solo acoustic album in nearly 30 years and first all-covers effort in nearly 20 years, can be seen as a prophetic prelude to what has become the Nobel Laureate's celebrated late-career arc. It's also an absorbing continuation of the custom Dylan has embraced since he first picked up a guitar. Resonating with the same originality, honesty, resolve, and age- and timedefying relevance as the seminal Anthology of American Folk Music that fired Dylan's imagination as a kid in small-town Minnesota, this record contains the type of music the maverick singer-songwriter was playing during his acoustic sets at his period Never Ending Tour shows.Sourced from the original master tapes, pressed at RTI, and housed in a Stoughton jacket, Mobile Fidelity's numbered-edition 180g SuperVinyl LP as well as the companion hybrid SACD of Good As I Been to You reveal the immediacy, detail, and stripped down nature of recording sessions that took place in Dylan's garage studio in California. Simple, raw, and unplugged, the effort presents Dylan in peak form - and showcases a diversity of vocal phrasing, soulful chording, harmonica accents, and closeup ambience that on these reissues emerge like never before. 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For the first time, the band's percolating rhythms, pulsating guitars, brassy horns, and whimsical beats come to fore without interference from congested mixes and a flat perspective. Spaciousness and imaging are restored, as is the rebirth of palpable dynamic contrast and instrumental separation. 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Performed by an enterprising California quartet that took it's name from two of it's principal members, the 1978 debut ripped headlines away from punk, injected fresh energy into a then-moribund rock 'n' roll scene, reimagined how heavy music and throwback pop could coexist, and invited everyone to experience the top-down pleasures of a beachfront Saturday night every day of the week no matter where they lived. Painstakingly restored by Mobile Fidelity Sound Lab, and the first of a multi-album series in an exciting partnership between the famous reissue label and Van Halen, Van Halen delivers feel-good thrills and hormonally charged desires like never before.Mastered from the original analog master tapes and housed in mini-LP-style packaging, Mobile Fidelity's numbered-edition hybrid SACD reissue allows fans to experience Van Halen's original blend of raw power, Hollywood flair, and vaudeville fun for generations to come. 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Made when mono was still king, Bob Dylan's self-titled 1962 debut is as understated of an entrance as any significant musician as ever made. Already well-versed in American roots music, Dylan simultaneously pays homage to tradition and extends it by putting his own stamp on classic material that metaphorically functions as the soil of our contemporary songs and styles. Free of ego, and performed with masterful conviction, Bob Dylan ranks with the debut efforts of similar artistic giants Elvis Presley and the Rolling Stones. Mastered from the original master tapes, pressed at RTI, and strictly limited to 3,000 copies, Mobile Fidelity's restored 180g mono 45RPM analog version brings the contents of this seminal release as closest as they've ever come to master tape-quality in the original mono configuration. Transparent to the source, the simple sounds of Dylan's voice, acoustic guitar, and harmonica take on lifelike perspective and directness-the \"husk and bark\" to which Robert Shelton referred in his now-legendary New York Times review of a Dylan appearance at Gerde's Folk City. MoFi has made possible an inexpensive time-traveling trip back to the Greenwich Village coffeehouses and folk clubs in which Dylan cut his teeth, albeit in much better fidelity and without any annoying background chatter. Wider grooves mean more information reaches your ears. As the preferred mix at the time of the recording, the mono version presents Dylan as he and his producers originally intended. Since the separation of the stereo versions isn't as sharp, the mono edition places Dylan's vocals in the heart of the musical action and as one with the accompaniment. 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Having achieved status of near-mythical proportions, it is the singer-songwriter record you'd bring to the proverbial desert island if you were limited to one choice. Renowned for it's lifelike production, Tapestry now sounds clearer, richer, and more emotional courtesy of Mobile Fidelity's 180 gram LP. Audiophiles, this is the version that brings Carole King right before your eyes and into your room.Faithful to original album producer Lou Adler's vision of making King (and not just any pianist player) appear seated and playing in front of listeners, these numbered limited-editions delivers utmost transparency, balance, warmth, intimacy, and perhaps most importantly, feeling. Aware of how many times this iconic work has been re-released, Mobile Fidelity engineers settled for nothing less than the absolute finest sonic presentation possible when mastering Tapestry from the original master tapes.Thematically, classics such as 'You've Got a Friend,' 'I Feel the Earth Move,' 'Will You Love Me Tomorrow,' and '(You Make Me Feel Like) a Natural Woman' resonate because they address universal sensibilities and the human condition. They, like all of Tapestry, are relaxed yet emancipating, strong yet mellow, comfortable yet terrifically beautiful and lastingly unique. Four major Grammy Awards, four Top 10 singles, sales of more than 25 million copies, and one of the first albums chosen for inclusion in the National Recording Registry just seem like icing on the cake.Tapestry makes you feel, and compels you to get closer to the music, and the musicians performing. 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Home to three Top 10 singles and a diverse array of pop music in step with the era's exploratory creativity, the set belongs alongside the Beatles' Sgt. Peppers' Lonely Hearts Club Band, Love's Forever Changes, Jefferson Airplane's Surrealistic Pillow, and 1967's other pioneering recordings. Look no further than 'A Girl Like You,' commandeered by confident singing and skated along by peppy jazz-rock architecture marked by exuberant horns, lilting piano lines, and splashing rhythms. Or 'How Can I Be Sure,' on which Eddie Brigati takes the vocal lead over a waltzing pattern that conveys hopefulness, rumination, and the rollercoaster ups\/downs that accompany the initial stages of a relationship.Mastered from the original monaural master tapes, Mobile Fidelity's hybrid mono SACD (limited to 2,500 numbered copies) captures the deep-seated personality and effortless melodies that seemingly occupy every passage. 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Originally released in 1961 in support of the film in which he starred, the triple-platinum LP spent nearly five months at the top of the Billboard album charts; outsold his two prior studio efforts; and ultimately, remains the second-best-selling soundtrack of the musical-dominant 1960s. And now, it has received sonic treatment befitting rock royalty.Mastered from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's hybrid SACD of Blue Hawaii transports listeners to both the carefree innocent escapism of the early '60s and calming, breezy atmospherics of the famous Pacific Islands. If you've ever wondered what it might be like to have Presley inhabit your room, this collectible reissue makes it happen via lifelike presence, clarity, immediacy, and transparency.Recorded before the King started to burn out on soundtracks and go into a creative tailspin, Blue Hawaii presents him in tremendous voice. The newly uncovered layers of detail, body, emotionalism, and tonality on this SACD bring that treasured element - as well as the brilliance of the arrangements and accompaniment - to light like never before. Presley's warm crooning alone warrants unmitigated attention. It's not for nothing that this record - replete with panache, whimsy, romance, and seriousness - forever altered the course of his career.Much like the film itself, the music on Blue Hawaii subscribes to a feel-good aesthetic. Presley plunges into a stylistic deep end with equal parts fearlessness and fun. He delves into early rock 'n' roll ('Rock-A-Hula Baby'); touching balladry ('Hawaiian Wedding Song'); playful rumba ('Beach Boy Blues'); relaxing luaus ('Hawaiian Sunset'); and naturally, island-inspired fare ('Ku-U-I-Po'). It becomes immediately evident that the King is enjoying himself and committed to the mission. Is Blue Hawaii all serious art? No, but it was never intended to be. 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It also brings you up close and personal with Presley's singing - widely considered by many to represent the finest of his career - located dead-center amidst the instrumental hurricane. Equally impressive are the contributions of the aforementioned Boys, and how their Southern-brewed playing - a balance of leisure with swiftness, grandiosity with concision, freedom with control - dovetails with Presley's vernacular.The lavish packaging and gorgeous presentation of the UD1S From Elvis in Memphis pressing befit it's extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. No expense has been spared. Aurally and visually, this UD1S reissue exists as a curatorial artifact meant to be preserved, pored over, touched, and examined. 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Depicting the quintet in it's hallmark flash-and-trash apparel and in drag appearance, the 1973 record scared away a considerable amount of potential listeners while capturing the attention of a sizable audience that recognized the band for what it was: pioneers who helped develop the punk and glam rock movements. New York Dolls make obvious their grasp of alienation, deviance, displacement, and suburban disaffection - as well as their capacity to play hanging-by-a-thread boogie, Brill Building-inspired pop, and strut-n-swagger sleaze. Their effort possesses traits many of it's harsher descendants would overlook: joyfulness and melody, topped with a knack for knowing how and where to take a song inside of three-and-a-half minutes.Sourced from the original master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity's numbered-edition 180g 45RPM 2LP set marks the first time the group's career-making statement is available in audiophile sound. It benefits from the extra groove space afforded by this reissue as well as the keen production overseen by Todd Rundgren, who captured what went down at New York City's Record Plant with an astute blend of live-on-the-floor feel, raw authenticity, and professional acumen. On this collectible version, you can hear those facets as well as key details, dynamics, and textures with previously unattainable insight. Not to mention generous degrees of grit, grime, and grease along with elevated levels of separation, solidity, and impact every landmark recording deserves. Too much, too soon? Only for those averse to some of the finest rock 'n' roll ever put on tape.1\/4' \/ 15 IPS Dolby A Analog Master DSD 256 Analog Console LatheNumbered 180g 45RPM Vinyl 2LPNUMBERED SPECIAL EDITIONTrack ListSide One:1. Personality Crisis2. Looking for a Kiss3. Vietnamese BabySide Two:1. Lonely Planet Boy2. Frankenstein (Orig.)Side Three:1. Trash2. Bad Girl3. Subway TrainSide Four:1. Pills2. Private World3. 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Cinematic Landscapes and Intricate Passages Sound Sublime: Mobile Fidelity 45RPM 2LP Pressing of Making Movies Mastered from Original Master Tapes, Features Audiophile Dynamics. Bruce Springsteen Pianist Roy Bittan, Mark Knopfler's Guitar Playing, and Passionate Performances Turn Making Movies Into a Classic: Includes 'Romeo and Juliet,' 'Tunnel of Love,' 'Solid Rock'. Making Movies marks a magnificent turning point in Dire Straits' career. Considered by many fans to be the group's most complete album, the 1980 set witnesses leader Mark Knopfler greatly expanding his songwriting palette and setting his storytelling amidst more complex, involving arrangements. Dire Straits also benefits from crucial contributions from Bruce Springsteen pianist Roy Bittan and the departure of rhythm guitarist David Knopfler. The songs spark with a mélange of poetry, passion, and cohesion that engages the senses and begs to be experienced again and again. Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 45RPM 2LP set of Making Movies breathes with reference-caliber airiness, spaciousness, dynamics, and separation. Produced by Jimmy Iovine and Knopfler, the record - which contains many Springsteen-esque elements - features the cleanliness and clarity that have long been Dire Straits trademarks. The extra-wide 45RPM grooves on this edition provide previously unattainable detail, information, and soundstaging. This is what audiophile recordings are all about. You know you're in the presence of sonic greatness as soon as the first few seconds of the opening 'Tunnel of Love' pass, as the introductory passage built on organ and piano - new additions to Dire Straits' palette - intertwine with the unmistakable coil-spring twang of Knopfler's guitar. The three-dimensional, full-bodied presentation of the latter instrument on this Mobile Fidelity LP is alone worth the price of admission. Crisp, rich, and balanced, the analog sound brings Knopfler's Fender Vibrolux and Music Man HD130 amplifiers into your room. The romanticism of Bittan's piano, precision timekeeping of drummer Pick Withers, and steady roll of bassist John Illsley come across with similar potency, scale, and verve. Always more about the whole than the sum of their individual parts, Dire Straits demonstrate that while Knopfler is the lynchpin, this record is a true band effort. Bittan's role cannot be overstated. His melodicism poetically complements Knopfler's subtle staccato rhythms and more than makes up for the exit of David Knopfler. Expansive and cinematic, the aptly titled Making Movies puts a premium on interrelated subjects (love, relationships, heartbreak) and deep-seated emotions that play out in heartfelt lyrics, intense singing, and epic frameworks. Everything clicks. The album's power isn't lost on Iovine, who later told Rolling Stone: 'The right people were in the room together. 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