{"title":"Indie Exclusives","description":"\u003cdiv class=\"Polaris-Layout__Section\"\u003e\n\u003cdiv class=\"Polaris-BlockStack\"\u003e\n\u003cdiv class=\"Polaris-Card\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-BlockStack\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-BlockStack\"\u003e\n\u003cdiv class=\"Polaris-BlockStack\"\u003e\n\u003cp class=\"Polaris-Text--root Polaris-Text--bodyMd Polaris-Text--subdued\" style=\"text-align: center;\"\u003eThe latest and greatest new releases and variants, only available from independent record stores!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Polaris-Layout__Section Polaris-Layout__Section--oneThird\"\u003e\n\u003cdiv class=\"Polaris-BlockStack\"\u003e\n\u003cdiv class=\"Polaris-Card\"\u003e\n\u003cdiv class=\"Polaris-Box\"\u003e\n\u003cdiv class=\"Polaris-InlineStack\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"lord-huron-the-cosmic-selector-vol-1-indie-exclusive-glow-in-the-dark-splatter-2-lp","title":"Lord Huron - The Cosmic Selector Vol. 1  [ Indie Exclusive Glow-In-The-Dark Splatter 2 LP]","description":"\u003cp\u003eLord Huron - the project of Los Angeles-based songwriter, musician and visual artist Ben Schneider, releases their\u003cbr\u003enew album, The Cosmic Selector Vol. 1, via Mercury Records, along with the new single, \"Looking Back.\" \r\n\r\n\u003c\/p\u003e\u003cp\u003eKnown for creating \"atmospheric music of exquisite craft\" (Wall Street Journal), the band began teasing the album in early 2025 with the singles, \"Who Laughs Last\" and \"Nothing I Need.\" \u003c\/p\u003e\r\n\r\n\u003cp\u003eLord Huron's fifth album was written and co-produced by Schneider. Alongside Schneider are band members Tom Renaud, Mark Barry and Miguel Briseno, and a host of collaborators, including actress Kristen Stewart and Blonde Redhead's Kazu Makino. The album title references the mysterious machine featured on the cover art. Schneider asks: \"What if you could choose your fate like choosing a song on a jukebox? What if your finger slipped and you got the B-side instead? 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This will be the 4th album soundtrack released by M83 and was recorded in both France and the US by M83's leading man, Anthony Gonzalez, along with regular M83 contributors, Joe Berry \u0026amp; Clement Libes.The film 'Dakar: Race Against The Desert' will be released digitally by Universal Pictures on the 12th May and the film will get it's World-wide cinematic premiere on the 26th June at the MK2 BibliothÃ¨que in in Paris.The film, which is directed by the French actor\/director Jalil Lespert, follows the World famous Dakar Car Rally - an event that for 45 years has been the ultimate test of resilience, skill and endurance in the world of Motorsports. Spanning 9,000 kilometres, the race lasts for 14 gruelling days over harsh desert terrain. With unprecedented access, this film dives into the world's toughest race, following legends like SÃ©bastien Loeb, reigning champion Nasser Al-Attiyah, and pioneers Carlos Sainz and StÃ©phane Peterhansel. 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The 15-track album was written primarily by HAIM and Rostam Batmanglij, with production by Batmanglij and Danielle Haim.  The album radiates the raw energy of seasoned performers whose deep reverence for classic rock shapes songs that are built for live performance. The album features follows previously released album tracks “Relationships” and “Everybody’s trying to figure me out,” which were both met with critical praise.  Pitchfork noted  “what’s that sound? Is it the first song of the summer?” while Vulture raved, “Haim is back… they’re not taking anything too seriously except for the quality of what they put out into the world,” and Stereogum hailed it as, “a return to the sleek genre-hybrid sounds of classic Haim.” I quit is the first new album since the band’s 2020 album Women In Music, Pt. III, which earned them a Brit Award for International Group.  Women In Music, Pt. III received two GRAMMY Award nominations, including the prestigious “Album of the Year” recognition.  With this nomination, HAIM became the first all-female rock group to be included in the GRAMMY’s top category. Women In Music, Pt. 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Accelerator, their fifth studio album, doesn't just refine that identity-it pushes it into new territory. Stratocasters shimmer through overdriven Vox amps, synths surge like late-night city lights, and the rhythm section pulses with a restless, undeniable energy. It's a record that doesn't just move; it commands attention.The band's evolution has been constant. Since their early days cutting their teeth on tours with Halsey and The 1975, Bad Suns have spent the past two years stretching their reach across genre lines, proving their versatility at major festivals and iconic venues. Whether electrifying Red Rocks alongside All Time Low, opening for Angels \u0026amp; Airwaves, or winning over Finneas' pop-leaning crowd on their 2025 U.S. run, they've made a case for themselves as a band without borders.Helmed once again by longtime collaborator Eric Palmquist (MUTEMATH, Thrice) at Palmquist Studios, Accelerator feels like the band's most conceptually realized work to date. It's 12 tracks unfold with cinematic ambition, balancing airtight hooks with an emotional resonance that shifts depending on how you approach them. 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Shedding thumping 808s and intricate production in favor of a no-frills band and sparse live recording, the album is a stirring collection of hazy folk rock songs that prove Wicca Phase Springs Eternal can truly be anything.  \"I always kind of thought that as long as I have the Wicca Phase Springs Eternal name that I can do whatever I want,\" Andrzejewski explains. \"The name provides a framework for the lyrics and aesthetics of the project-my songwriting with a mystical overlay to it-and as long as I can make something work within that, then the genre doesn't totally matter.\" That daring creative mentality is what steered Andrzejewski when he first started the WPSE project, through his work as a co-founder of the influential GothBoiClique collective, or as member of Thraxxhouse and Misery Club, and even with his punk side project, Pay For Pain. 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