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This fantastic 15 track LP provides a great introduction to Shore's prolific success by featuring the recordings which brought her greatest popularity. 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The eight string instruments revel in the music's painstaking detail with intricate gestures that miraculously entwine to form a grand statement. 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For veteran pianist\/composer Armen Donelian, the moment seems ripe to revisit the first release in his treasure-laden discography, Stargazer. The recording was listened to and appreciated in Japan and Europe, but never distributed and barely heard in the United States. Featuring bass maestro Eddie Gomez and NEA Jazz Master Billy Hart on drums, the captivating and passionately lyrical trio session introduced an accomplished composer and self-possessed improviser eager to mix it up with his older peers. Released on vinyl in 1981 by the long-defunct Japanese label Atlas Records and now due for reissue by Sunnyside Records with an extra, never-before-released track, Stargazer offers a fresh look at an artist then-emerging as a dynamic creative force.For Donelian, the sting isn't just that the music was essentially unheard for 45 years. \"It wasn't even reviewed in Downbeat or other American publications because it was an import,\" he says. He recorded and produced the album in 1980 in New York with his much better established compatriots. A year later he struck a deal with Atlas for the Japanese release. The masters reverted to Donelian when the label went under years ago. But he bided his time, preferring to forge ahead with new music rather than look backward. With the approach of his 75th birthday in December, though, he \"felt strongly this was a document that needed to be available,\" he says. \"I've been very fortunate to meet and work with incredible musicians throughout my life. I never really look back that much on my career, or even think about the idea of a 'career.' To me, what I've always loved to do is moving forward into the explorative space, the unknown. After this comes out, I've got another album scheduled on Sunnyside. I'm not by any means tied to the past.\"The past, however, has a good deal to say about Donelian, starting with the album's title track, an intricate, sweeping tune defined by the trio's volatile interaction. Composed after the death of his mother, \"Stargazer\" wasn't so much written for her as inspired by Donelian's grief and his memories of wonder as a child looking out at the night sky with a telescope. \"It all went into the mix of this somewhat ruminative composition, but Eddie and Billy gave it the propulsion,\" says Donelian, noting that he's recorded the piece on three subsequent albums and includes it in almost every concert. \"The way Billy plays really shaped the piece. He's very interactive, completely free yet taking care of business at the same time.\"Completely free also describes the trio's approach to the final piece recorded at the session, the aptly titled, \"Free at Last.\" From the ringing dissonance of the opening notes the performance evolves as the three players listen and respond to each other, moving through several modes and moods without a road map or destination. A tender ballad inspired by a woman with whom Donelian was infatuated, \"Southern Belle\" features Gomez exploring a harmonic landscape the pianist entered during his studies with Richie Beirach, a brilliantly probing improviser with a rarefied musical vocabulary pioneered on his 1976 ECM debut album Eon. Gomez had become one of jazz's most esteemed bassists during an 11-year tenure with piano legend Bill Evans, and he brings similar distilled lyricism and intensity to the piece. No conclusions about the fate of the crush should be drawn from the following piece, the joyous, Brazilian-inflected \"Love's Endless Spin.\" Donelian developed and played the tune with the prolific Colombian saxophonist\/flutist Justo Almario and Brazilian drum great Portinho, and in the hands of Gomez and Hart it retains it's almost giddy groove.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eStargazer\u003c\/li\u003e\n\u003cli\u003eFree at Last\u003c\/li\u003e\n\u003cli\u003eSouthern Belle\u003c\/li\u003e\n\u003cli\u003eLove's Endless Spin\u003c\/li\u003e\n\u003cli\u003eMonday\u003c\/li\u003e\n\u003cli\u003eSilent Afternoon\u003c\/li\u003e\n\u003cli\u003eQueen of Light\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 016728403924\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e SUNNYSIDE\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e","brand":"SUNNYSIDE COMMUNICATIONS, INC","offers":[{"title":"Default Title","offer_id":51068618834222,"sku":"N016728403924","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4447959-3427269.jpg?v=1757622045"},{"product_id":"pre-order-jenna-nyman-idag-kanns-allting-skit-igen","title":"Jenna Nyman - Idag Kanns Allting Skit Igen [CD]","description":"\u003cp\u003eJenna Nyman\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 822359004696\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e PROPHONE\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.21.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e","brand":"NAXOS OF AMERICA, INC","offers":[{"title":"Default Title","offer_id":51068619227438,"sku":"N822359004696","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4446488-3422693.jpg?v=1757622050"},{"product_id":"pre-order-meklit-hadero-piece-of-infinity","title":"Meklit Hadero - Piece Of Infinity [LP]","description":"\u003cp\u003eA Piece of Infinity, the latest album by Meklit, is an invitation to think, to love, and to groove. Celebrating the rich musical traditions of Ethiopia, the Addis-born, San Francisco based vocalist, songwriter, and composer molds folk tunes from a multitude of communities and cultures throughout Ethiopia into jazz-inflected fantasies imbued with warmth and reverence. At it's center is Meklit's voice, which soars and whispers, intoning strength and devotion in Kembatigna, Amharic, Oromigna, and English. From songs of longing and love to children's riddles and original compositions, Meklit traverses expansive sonic ground that offers just a glimpse at the infinite complexity of Ethiopian culture. Featuring guest appearances by harpist Brandee Younger and flutist Camille Thurman and recorded at San Francisco's Women's Audio Mission.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eAmbassel\u003c\/li\u003e\n\u003cli\u003eTizita\u003c\/li\u003e\n\u003cli\u003eAbebayehosh\u003c\/li\u003e\n\u003cli\u003eDale Shura\u003c\/li\u003e\n\u003cli\u003eGeefata\u003c\/li\u003e\n\u003cli\u003eEra Mela Mela\u003c\/li\u003e\n\u003cli\u003eMy Gold\u003c\/li\u003e\n\u003cli\u003eStars in a Wide Field\u003c\/li\u003e\n\u003cli\u003eLefeqer Enegeza\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 093074026311\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e SMITHSONIAN FOLKWAYS\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.26.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"SMITHSONIAN FOLKWAYS RECORDING","offers":[{"title":"Default Title","offer_id":51068619325742,"sku":"N093074026311","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4433503-3402314.jpg?v=1757622049"},{"product_id":"pre-order-tommy-flanagan-solo-piano","title":"Tommy Flanagan - Solo Piano [LP]","description":"\u003cp\u003eTommy Flanagan was known for his tasteful, flawless and swinging piano playing. He added class to every session that he was involved with and fortunately it was well documented during the latter part of his career. Solo Piano was not initially released until decades after it's 1974 recording. It is significant historically because this outing was the pianist's first recording as a leader in 13 years and, most importantly, because it is very good music.Until the long delayed release of Solo Piano, it was believed that Tommy Flanagan's \"comeback\" began with 1975's The Tokyo Recital for the Pablo label and that his only full-length album of unaccompanied piano solos was 1977's Alone Too Long which was released by Denon in Japan. Solo Piano forced a slight readjustment of the jazz history books and, most importantly, offers listeners some very enjoyable music from the great pianist. It also includes a few surprises, particularly for those listeners who think of Flanagan as primarily a bop stylist.When swing was succeeded by bop as jazz's modern mainstream, the function of the piano changed from being a timekeeper to take part of the rhythm section. While the pre-1945 styles of jazz piano had the pianists keeping time with his or her left hand, usually by striding back and forth between bass notes and chords, in bebop that role is usually handled by the string bassist. Bop pianists use their left hands to hit chords on a more unpredictable basis, accenting beats like a drummer \"dropping bombs, \" while their right plays hornlike lines.That approach works perfectly in trio settings but can leave some pianists sounding incomplete when taking unaccompanied solos. Bud Powell, the leader in the field, was able to imply the beat and slightly adjust his style when playing solos. In the case of Tommy Flanagan, his ability to play swing was a major asset and in a solo setting he often added a modified stride, as can be heard on his version of Sleeping Bee.On swing-oriented numbers such as Isn't It Romantic, Sleeping Bee and Yesterdays, Flanagan always kept the melody close by even while creating improvised variations. One never has a problem knowing where the pianist is for he builds his improvisations off of the melody rather than simply discarding the theme in favor of jamming over it's chord changes. He follows those classic songs with an infectious version of Stompin' at the Savoy that manages to sound both vintage and modern.To conclude the enjoyable program, Flanagan performs a song apiece by three great composers of the bebop era (Dizzy Gillespie's Con Alma, Tadd Dameron's If You Could See Me Now, and Thelonious Monk's Ruby, My Dear) before ending the set with a joyful rendition of Lover.By the time Tommy Flanagan left Ella Fitzgerald's backup band in 1978, his series of trio recordings had reminded the jazz world that he was a brilliant and very musical pianist. He worked steadily during the next 23 years, touring Europe and Japan while being based in New York and remaining one of the most consistently satisfying of all jazz pianists. Flanagan passed away on Nov. 16, 2001 at the age of 71 but he has never been forgotten. Tommy Flanagan is remembered with love, respect and admiration for his playing and his classy nature. 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For Vol 3: Ancestros Futuros, Cochemea entrusted his vision to a core group of longme collaborators-a powerful octet composed of New York-based percussionists and members of Daptone's famed rhythm section. Gabriel Roth (aka Bosco Mann) reprised his role as producer, recording and mixing the album live to 8-track analog tape. Cochemea continues to push the boundaries of his sound, blending past, present, and future into a ritual offering-an evolving sonic narrative where memory, survival and creativity converge.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 823134008014\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e DAPTONE\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.31.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"REDEYE DISTRIBUTION","offers":[{"title":"Default Title","offer_id":51068621455662,"sku":"N823134008014","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4443095-3417843.jpg?v=1757622063"},{"product_id":"pre-order-yuri-honings-peace-orchestra-yuri-honings-peace-orch","title":"Yuri Honing's Peace Orchestra - Yuri Honing's Peace Orch [CD]","description":"\u003cp\u003eWith Peace Orchestra, saxophonist Yuri Honing presents a new musical chapter where boundaries blur and sounds connect. This unique ensemble brings together a rich palette of influences, rooted in the spiritual jazz of the 1960s and '70s, yet infused with modern electronics and an open, contemporary sound.Inspired by legends such as Pharoah Sanders (The Creator Has a Masterplan), Charles Lloyd, and Sun Ra, the album is a tribute to musical freedom. The Peace Orchestra defies stylistic labels - it is a breathing, evolving entity where tradition, innovation, and improvisation continuously embrace each other.Together, Yuri Honing - tenor saxophone, Remy van Kesteren - harp \u0026amp; electronics, Ella Zirina - guitar, Tony Overwater - double bass \u0026amp; bass guitar, and Yoran Vroom - drums, create a sonic universe that feels contemplative, powerful, and wide open. 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Byars' signature Original Jazz Sextet achieves remarkable harmonic and emotional depth through intricate voicings and counterpoint. Critics have celebrated Byars as a visionary of new bop vocabulary. His previous albums like Boptics and Rhythm and Blues of the 20s drew accolades for their smart, infectious writing and engaging solo showcases. \"... he knows his musicians so well, Byars is masterful in his writing, blending the reeds and trombone in intricate ensembles while letting the soloists all shine throughout.\" (Ken Dryden - New York City Jazz Record on SCCD 31929)\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 716043198726\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e STEEPLECHASE\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e","brand":"NAXOS OF AMERICA, INC","offers":[{"title":"Default Title","offer_id":51068623388974,"sku":"N716043198726","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4446503-3422655.jpg?v=1757622076"},{"product_id":"pre-order-norman-connors-love-from-the-sun-180-gram","title":"Norman Connors - Love From The Sun [180 Gram]","description":"\u003cp\u003eThis jazz recording is considered as the 'magnum opus' of master 'drummer extraordinaire', composer, arranger, producer, and leader Norman Connor's in a career that has spanned 4 decades. This recording is what many will consider the debut of the legendary vocalist Dee Dee Bridgewater who has since gone on to a brilliant career. Connor's put together an all-star group with Herbie Hancock and Onaje Allan Gumbs on piano and Fender Rhodes, Dr. Eddie Henderson on trumpet\/flugelhorn, Carlos Garnett on tenor\/soprano saxes, Gary Bartz on alto\/soprano saxes, Buster Williams on bass, drummer\/vocalist Bill Summers and Kenneth Nash on percussion, and effective, crucial cameos by master flautist Hubert Laws. On the song, 'Love From the Sun', Connors added Nathan Rubin on violin and Terry Adams on cello.The 'best of the best' begins with the exotic theme of Hancock's 'Revelation', doubled wordlessly and beautifully by Ms. Bridgewater over Williams bouncing ostinato bass pattern with flights of fancy from Hubert Laws on flute, and superb, luminous solos from Henderson's exotic trumpet, Garnett on soprano, and Hancock on Fender Rhodes. Garnett's 'Carlos II' is another great composition with remarkable solos. Connors' own 'Drums Around The Worlds' is influenced by African and latin rhythms with emotional vocals from Summers and a drum-only section that builds in intensity. One of the high points of the album is Dee Dee Bridgewater's awesome, glorious vocalizing on Richard Clay's lovely 'Love From The Sun', in one of the greatest performances in her career, arranged by Gumbs. Elmer Gibson's 'Kumakucha' (The Sun Has Risen) is a blazing display of uptempo musicianship by Connor's driving drums, the propulsive congas of Summers and Nash, and exciting solos from Bartz, Henderson on trumpet, and Hancock's furious piano solo. The set ends with a marvelous 'Holy Waters' composed and arranged by Garnett in a scorching performance by Bridgewater on vocals, Garnett unleashing one of the greatest solos in his storied career, followed by Gumbs' astute solo.My Highest Recommendation. 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The record blends post-bop intensity with modal spaciousness and spiritual reflection, drawing inspiration from Buddhist philosophy and the seasonal symbolism of renewal.Known for his work as a U.S. Jazz Ambassador and jazz educator, Elefante offers nine original compositions that balance complexity with emotional resonance. From the high-energy angularity of \"Simple Girl\" to the meditative beauty of \"Nobly Born,\" Return of the Light invites listeners into a musical journey of resilience, groove, and transformation. 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The two of them recorded six tracks which ranged from covers of standards, through soul-jazz through to two real gems. The album was originally released as Ed Kelly and Friend due to Pharoah being contracted to Arista Records at the time. Indeed, as you can see, the cover shows Kelly playing next to Pharoah's hat, shoes and Selmer tenor saxophone. Rainbow Song, a Kelly composition, opens matters in a manner far removed from Pharoah's work on his Impulse albums (although there had been a dramatic change of course when he signed with Arista and recorded). This is firmly in Grover Washington Junior territory with a liberal sprinkling of oh so tasteful strings. The Master's sound is full and mighty as ever. With the radio track out of the way, it is business as hoped for and Newborn is a Sanders composition that burns with intensity. The power of his solo is as good as anything he has produced and he runs over the full span of the tenor's range and onwards into territory lesser-known or explored by 99% of sax players. Sam Cooke's You Send Me is treated with reverence and respect, with Pharoah delivering a sensitive and heartfelt rendition and ending with some extraordinary phonics, which we will meet again on later albums. Kelly's accompaniment complements Sander's playing before he receives his own space for a shimmering yet restrained solo which discloses what this non-pianist assumes to be an agile right hand. Answer Me My Love is an early 50's ballad with a fascinating back story. On it's initial release in post-war Britain, covers of this fine melody stirred sufficient controversy for the song to be banned by the BBC. What led to it being barred from broadcast on the Light Programme and treated like Anarchy For The UK, Wet Dream and Give Ireland Back To The Irish? I can reveal that the reason for this draconian action was that the original version was entitled 'Answer Me, My Lord'. In the olden days, it seems that a direct appeal to God was considered to be blasphemous- especially if set in a secular or selfish. Further research indicates that Nat King Cole made the most celebrated recording and that Bob Dylan used to sing it live in the 1990s, presumably during his overtly Christian phase. Anyway, it is a grand tune. Pharoah went on to record at least three studio versions of his great anthem You've Got To Have Freedom but the one here is the earliest incarnation that I am aware of. It is also the most restrained treatment of the theme, although Pharoah's solo shows his ability to play with fire and power over the entire range of the horn. 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