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There are perhaps few characters in the history of popular music who were as mysterious, as they were brazen than Aleck Ford, AKA Sonny Boy Williamson II. The true story of Sonny Boy Williamson II remains shrouded in mystery and uncertainty, and it seems this was Ford's intention, but to what ends, nobody can say. One thing is certain though - he was one of the all-time greats of the harmonica, a bone fide bluesman, talented and charismatic in equal measure. His influence cannot be overstated. The first incarnation of the band that would become the Rolling Stones was named after him: Little Boy Blue and the Blue Boys; B.B King described him as \"the King of the harmonica\"; and maybe there would have been no Howlin' Wolf, or Elmore James without Williamson's mentorship and support. The British Blues explosion of the late 1960s certainly owed much to Williamson and his compatriots. This carefully curated collection of this colourful and charismatic performer's work showcases just why he was one of the true legends of blues music. Interestingly, he was inducted into the Blues Hall of Fame in 1980, the same year as Sonny Boy Williamson I. It seems fitting that even in death and in honours they were inextricably linked. This collection hones in on his work that took the world by storm during his tenure with Trumpet and Checker in the 1950's and early 60's from his iconic \"Eyesight For The Blind\" through to \"One Way Out\". 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But he's so convincing a player that the concept of \"blues guitar hero\" might get a good name again, even with fans dead-tired of excess who never thought they'd think things like, \"Man, can Melvin Taylor play the ever-loving (add the expletive superlative of your choice) out of the guitar\" again. Taylor's first real-time release, Melvin Taylor \u0026amp; the Slack Band, is a pretty straightforward affair - basic trio with minimal overdubs, serviceable vocals in an Albert King mode, and a mix of originals and very classic covers. The opening \"Texas Flood\" let's him rip on a slow blues, constantly changing up his playing with wah-wah blitzes as the real ace in his sonic hole. The originals \"Depression Blues\" and \"Groovin' in New Orleans\" add some funk flair, while \"Talking to Anna Mae\" is a straight-up Chicago boogie instrumental that Taylor shines on. But he's even more in his element on the unadorned slow blues \"Tin Pan Alley\" and King's \"Don't Throw Your Love on Me So Strong.\" It's partly the speed but even more the phrasing - the unexpected stops and starts, the spiky and blazing runs and flurries, the unusual note selections he tosses in - that sets his playing apart. The other covers have their sporadic moments - \"T-Bone Shuffle\" is inconsequential, but Otis Rush's \"All Your Love\" and \"Voodoo Chile\" are worth listening to, even if the latter doesn't add anything to the famous Hendrix wah-wah workout. Taylor actually doesn't sound that radical here, like he was playing to establish blues circuit credentials by putting his stamp on familiar songs more than indulging offbeat personal touches like the mellow lounge jazz take on the Champs' \"Tequila.\" But his playing can be truly electrifying and Melvin Taylor \u0026amp; the Slack Band is recommended for anyone, especially Stevie Ray Vaughan fans, looking for a distinctive new blues guitar voice.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eTexas Flood\u003c\/li\u003e\n\u003cli\u003eDepression Blues\u003c\/li\u003e\n\u003cli\u003eGrooving In New Orleans\u003c\/li\u003e\n\u003cli\u003eTalking To Anna Mae\u003c\/li\u003e\n\u003cli\u003eTin Pan Alley\u003c\/li\u003e\n\u003cli\u003eAll Your Love (I Miss Loving)\u003c\/li\u003e\n\u003cli\u003eDon't Throw Your Love On Me So Strong\u003c\/li\u003e\n\u003cli\u003eT-Bone Shuffle\u003c\/li\u003e\n\u003cli\u003eVoodoo Chile (Slight Return)\u003c\/li\u003e\n\u003cli\u003eTequila\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5060149623718\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e PURE PLEASURE\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 11.7.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"LIGHT IN THE ATTIC RECORDS","offers":[{"title":"Default Title","offer_id":51068667822382,"sku":"N5060149623718","price":74.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4272372-3076551.jpg?v=1757622313"},{"product_id":"pre-order-christone-ingram-kingfish-hard-road-colored-vinyl-grn-wht","title":"Christone Ingram  Kingfish - Hard Road [Colored Vinyl] (Grn) (Wht)","description":"\u003cp\u003eHard Road is Christone \"Kingfish\" Ingram's most personal and powerful album yet. Blending blues with rock and R\u0026amp;B, it marks a bold shift in sound and storytelling. Produced by Tom Hambridge, Patrick \"Guitarboy\" Hayes, and Nick Goldston, the record explores love, loss, identity, and growth. 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This never-before-released radio broadcast performance features nine tracks, including three Witherspoon originals plus classic songs from Willie Dixon, Sonny Boy Williamson, and Lieber \u0026amp; Stoller.  This is one of the earliest recordings of Ford’s extraordinary career, starting back in 1970 with Charlie Musselwhite and Witherspoon before joining Tom Scott’s L.A. Express.  He went on to shred with Steely Dan, Kiss, Yellow Jackets, Miles Davis and lead on 25 of his own albums   This limited-edition vinyl release will be pressed on cobalt blue vinyl exclusive to Record Store Day.\u003c\/p\u003e \u003cp\u003e*** Indie Exclusive ***\u003cbr\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 810177216322\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.26.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"Park Ave CDs","offers":[{"title":"Default Title","offer_id":51068673261870,"sku":"N810177216322","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/418467298498_1000.webp?v=1757622351"},{"product_id":"pre-order-walter-trout-common-ground-colored-vinyl-grn-limited-edition-180-gram","title":"Walter Trout - Common Ground [Colored Vinyl] (Grn) [Limited Edition] [180 Gram]","description":"\u003cp\u003eAfter it's original release in 2010, Walter Trout's Common Ground is back on vinyl, for the first time as a 2LP. The critically acclaimed album by the American blues guitarist, singer and songwriter reached #6 on the Billboard Blues chart and made waves in the UK charts as well. The album showcases a collection of powerful, emotionally charged songs including, amongst other, the tracks 'Maybe A Fool', 'Common Ground', and 'Her Other Man'. Common Ground is produced by legendary producer and Grammy Award-winner John Porter, who is known for his work with blues icons B. B. King and Buddy Guy. The record features top-tier musicians Kenny Aronoff, James 'Hutch' Hutchinson and Jon Cleary, all adding depth and expertise to the dynamic arrangements. Common Ground is available as a 15th anniversary edition of 1000 individually numbered copies on translucent green colored vinyl and includes an insert with lyrics. LISTEN: https:\/\/youtu. 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For example, we brought Phil together for the first time with the Blind Boys of Alabama, Charlie Musselwhite, G Love, JD Simo and many others new to Phil's community.Dead Blues was a great concept for live shows but I never considered making an album until I met singer Datrian Johnson, one of the most moving singers I've ever worked with. John Medeski brought Datrian into the community and we instantly became friends and collaborators and began recording the songs on Dead Blues Volume 1, reinterpreting the American classics.The tracks feature North Mississippi Alumni Cody Dickinson and Rayfield \"Ray Ray\" Hollowman, as well as old friends from Memphis, Paul Taylor\/New Memphis Colorways also on drums, bass and guitars and Steve Selvidge on Space Funk guitar. 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In the midst of recording his 12th album, wavering in his resolve to finish what he'd started, Seth Walker came to a realization. \"This work does not define me. This is not who I am forever. This is just a moment.\" No album is trapped in amber, no song is set in stone. Distance colors compositions over the years and each album is left as a reflection of it's own period in time. This idea played a big part in shaping Why The Worry. Now, the other half of knowing is letting go; letting go of the worry about perception, the worry of over-preparation, and the worry that seeps in constantly from the news and noise of everyday life. Taking a page from Willie Nelson, Walker embraced the songwriter's sage wisdom, \"I've never seen worry accomplish anything... so I decided not to do it.\" Truth be told, there aren't many better oracles to hang an ethos on than brother Willie. The new album finds Walker reunited with old friends and familiar names. Once again Jano Rix steps behind the boards, co-producing the album with Seth and engineer Brook Sutton. In the producer's fifth outing he's become an invaluable sounding board, the kind who knows what's missing and, just as importantly, what needs to be taken away. Oliver Wood (The Wood Brothers) lends a pen to the title track, and Seth's classically trained father Scott adds strings to \"I'm Getting Ready,\" a song penned by Walker's contemporary Michael Kiwanuka. Mostly, though, the record was shepherded into shape by Walker's trio, rounded out by longtime confidants Rhees Williams (Guitar, Piano) and Mark Raudabaugh (Drums). The three let the studio guide them, entering without agenda, set straight by the title's mantra to stop worrying where they'd end up.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eThe Same Love That Made Me Laugh\u003c\/li\u003e\n\u003cli\u003eWhy The Worry\u003c\/li\u003e\n\u003cli\u003eUp On The Mountain\u003c\/li\u003e\n\u003cli\u003eI’m Getting Ready\u003c\/li\u003e\n\u003cli\u003eTake Me To The River\u003c\/li\u003e\n\u003cli\u003eSupernatural Thing\u003c\/li\u003e\n\u003cli\u003eHey Baby\u003c\/li\u003e\n\u003cli\u003eMidway Girl\u003c\/li\u003e\n\u003cli\u003eSomewhere Out There\u003c\/li\u003e\n\u003cli\u003eMagnolia\u003c\/li\u003e\n\u003cli\u003eI Must Be In A Good Place Now\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 020286245070\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ROYAL POTATO\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 4.25.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"THE ORCHARD","offers":[{"title":"Default Title","offer_id":51089202151726,"sku":"N020286245070","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4411858-3334474.jpg?v=1758166864"},{"product_id":"wonderland-carolyn-truth-is","title":"Wonderland, Carolyn - Truth Is [CD]","description":"\u003cp\u003eRed hot guitar heroine, lap steel virtuoso, whip-smart songwriter and fire-breathing singer has been recording critically acclaimed albums and touring the world for nearly 25 years, playing her original, bluesified, cosmic country soul music, mixed with heavy does of Tex-Mex and riff-fueled rock 'n' roll. The album's 12 tracks (including 10 new Wonderland originals or co-writes) deliver the blues' honest truth in vividly detailed, infectious songs, all shot through with Wonderland's stinging fretwork and full-throated vocals.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSooner or Later\u003c\/li\u003e\n\u003cli\u003eI Ain't Going Back\u003c\/li\u003e\n\u003cli\u003eTruth Is\u003c\/li\u003e\n\u003cli\u003eLet's Play a Game\u003c\/li\u003e\n\u003cli\u003eWhistlin' Past the Graveyard Again\u003c\/li\u003e\n\u003cli\u003eIt Should Take\u003c\/li\u003e\n\u003cli\u003eWishful Thinking\u003c\/li\u003e\n\u003cli\u003eOrange Juice Blues\u003c\/li\u003e\n\u003cli\u003eTattoos As His Talisman\u003c\/li\u003e\n\u003cli\u003eFlowers in Bloom\u003c\/li\u003e\n\u003cli\u003eDeepest Ocean Blue\u003c\/li\u003e\n\u003cli\u003eBlues for Gene\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 014551502623\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ALLIGATOR RECORDS\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.16.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e","brand":"REDEYE DISTRIBUTION","offers":[{"title":"Default Title","offer_id":51089206870318,"sku":"N014551502623","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4416443-3376507.jpg?v=1758166894"},{"product_id":"joanne-shaw-taylor-black-gold-colored-180-gram-lp","title":"Joanne Shaw Taylor - Black \u0026 Gold [Colored 180 Gram LP]","description":"\u003cp\u003eBritish guitar virtuoso and powerhouse singer-songwriter Joanne Shaw Taylor returns with her electrifying 10th studio album, Black \u0026amp; Gold. Reuniting with legendary producer Kevin Shirley (Iron Maiden, Journey, Joe Bonamassa), Taylor pushes the boundaries of blues rock, weaving in threads of Americana, indie rock, and retro '80s pop. 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The right thing at the right moment.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eLook Over Yonders Wall\u003c\/li\u003e\n\u003cli\u003eChampagne and Reefer\u003c\/li\u003e\n\u003cli\u003eJazz Man Blues\u003c\/li\u003e\n\u003cli\u003eDon't You Lie to Me\u003c\/li\u003e\n\u003cli\u003eMy First Love\u003c\/li\u003e\n\u003cli\u003eLoan Me Train Fare\u003c\/li\u003e\n\u003cli\u003eThinking and Drinking\u003c\/li\u003e\n\u003cli\u003eBob Is Back in Town\u003c\/li\u003e\n\u003cli\u003eLove You Baby\u003c\/li\u003e\n\u003cli\u003eBob Is Back\u003c\/li\u003e\n\u003cli\u003eGold Tailed Bird\u003c\/li\u003e\n\u003cli\u003eLet the Good Times Roll\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 038153089221\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e DELMARK\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 8.1.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e","brand":"AMPLIFIED MEDIA SERVICES, LLC","offers":[{"title":"Default Title","offer_id":51089210376494,"sku":"N038153089221","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4443892-3418924.jpg?v=1758166915"},{"product_id":"wonderland-carolyn-truth-is-1","title":"Wonderland, Carolyn - Truth Is [LP]","description":"\u003cp\u003eRed hot guitar heroine, lap steel virtuoso, whip-smart songwriter and fire-breathing singer has been recording critically acclaimed albums and touring the world for nearly 25 years, playing her original, bluesified, cosmic country soul music, mixed with heavy does of Tex-Mex and riff-fueled rock 'n' roll. The album's 12 tracks (including 10 new Wonderland originals or co-writes) deliver the blues' honest truth in vividly detailed, infectious songs, all shot through with Wonderland's stinging fretwork and full-throated vocals.\u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSooner or Later\u003c\/li\u003e\n\u003cli\u003eI Ain't Going Back\u003c\/li\u003e\n\u003cli\u003eTruth Is\u003c\/li\u003e\n\u003cli\u003eLet's Play a Game\u003c\/li\u003e\n\u003cli\u003eWhistlin' Past the Graveyard Again\u003c\/li\u003e\n\u003cli\u003eIt Should Take\u003c\/li\u003e\n\u003cli\u003eWishful Thinking\u003c\/li\u003e\n\u003cli\u003eOrange Juice Blues\u003c\/li\u003e\n\u003cli\u003eTattoos As His Talisman\u003c\/li\u003e\n\u003cli\u003eFlowers in Bloom\u003c\/li\u003e\n\u003cli\u003eDeepest Ocean Blue\u003c\/li\u003e\n\u003cli\u003eBlues for Gene\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 014551502616\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ALLIGATOR RECORDS\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 5.16.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e","brand":"REDEYE DISTRIBUTION","offers":[{"title":"Default Title","offer_id":51089211982126,"sku":"N014551502616","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/4416442-3376506.jpg?v=1758166928"},{"product_id":"the-best-of-charlie-patton","title":"The Best of Charlie Patton [LP]","description":"\u003cp\u003eCharlie Patton (1891-1934) was the most powerful blues recording artist of all time, as well as the most subtle. He was, and re-mains, a figure of immense significance in blues history. Rural entertainers were basically anonymous figures, or at best locally known,when Patton took up guitar around 1907 - due to \"woman troubles,\" he later said. At that time, Patton was a resident of Dockery, avast Mississippi Delta plantation that housed some four hundred tenant families. He soon eclipsed the notary of the musician, one EarlHarris, he credited with teaching him guitar, and had (as one contemporary put it) \"people just clownin' over him - they'd follow himeverywhere.\" By 1910 he had already established most of the themes he would record two decades later, including Pony Blues, BantyRooster, Down the Dirt Road and Maggie, the latter the template for most of his blues in Spanish tuning. In 1929, Patton auditionedat Dockery for the Jackson record store owner H.C. Speir, who afterward said of him: \"He beat 'em all.\" Following his recording debut,he recorded more sides in a single year (43) than any blues singer who preceded him. Although he recycled his most popular themesunder various ti- tles, he almost never slavishly parroted them. Shortly after he became a blues recording celebrity, Patton was expelledfrom Dockery. After 1930 he settled in the vicinity of Holly Ridge, Mississippi, living in a variety of nearby plantation towns. Justbefore recording in 1934, he was arrested for drunkenness at Belzoni, an event he depicted in High Sheriff Blues. Eighty-five daysafter completing his 1934 session, he died in Heathman, Mississippi, of a long-standing heart condition.Patton's legacy is pervasive and influenced generations of blues musicians. 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In the midst of recording his 12th album, wavering in his resolve to finish what he'd started, Seth Walker came to a realization. \"This work does not define me. This is not who I am forever. This is just a moment.\" No album is trapped in amber, no song is set in stone. Distance colors compositions over the years and each album is left as a reflection of it's own period in time. This idea played a big part in shaping Why The Worry. Now, the other half of knowing is letting go; letting go of the worry about perception, the worry of over-preparation, and the worry that seeps in constantly from the news and noise of everyday life. Taking a page from Willie Nelson, Walker embraced the songwriter's sage wisdom, \"I've never seen worry accomplish anything... so I decided not to do it.\" Truth be told, there aren't many better oracles to hang an ethos on than brother Willie. The new album finds Walker reunited with old friends and familiar names. Once again Jano Rix steps behind the boards, co-producing the album with Seth and engineer Brook Sutton. In the producer's fifth outing he's become an invaluable sounding board, the kind who knows what's missing and, just as importantly, what needs to be taken away. Oliver Wood (The Wood Brothers) lends a pen to the title track, and Seth's classically trained father Scott adds strings to \"I'm Getting Ready,\" a song penned by Walker's contemporary Michael Kiwanuka. Mostly, though, the record was shepherded into shape by Walker's trio, rounded out by longtime confidants Rhees Williams (Guitar, Piano) and Mark Raudabaugh (Drums). 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