{"product_id":"falla-de-falla-collection-box-cd","title":"Falla - De Falla Collection (Box) [CD]","description":"\u003cp\u003eWith it's super-budget-priced boxes of Bach, Mozart, Haydn, Beethoven, Brahms, Tchaikovsky and Shostakovich among many others, Brilliant Classics cornered the market in definitive composer editions long before other labels began to follow their lead. Music-lovers can now add a one-stop guide to the thrilling and colourful world of Manuel de Falla to their libraries with this comprehensive collection of his greatest masterpieces in modern digital recordings. As the central figure of Spanish music in the first half of the last century, de Falla (1876-1946) came to define the sound of Spain for listeners beyond it's borders. Folk music, romanticism, neoclassicism, modernism: all the prevalent styles of his time were assimilated and absorbed within a personal idiom that advanced the work of notable predecessors such as Albeniz and Granados in establishing a distinctively Spanish idiom for art music, making him a worthy contemporary of other composers outside the central European mainstream from Vaughan Williams in England to Bartók in Hungary and Sibelius in Finland. Falla's cycle of Seven Popular Spanish Songs is a perfect synthesis of artsong and folksong, performed here in Luciano Berio's orchestration by Marta Senn and the Simon Bolivar Orchestra of Venezuela under the baton of Eduardo Mata, the Mexican conductor renowned for his dynamic interpretations of Hispanic repertoire. The songs return in their instrumental guise as the Suite populaire espagnole, with the cellist Timora Rosler accompanied by Klára Würtz. Rafael Puyana is a uniquely sympathetic soloist in the Harpsichord Concerto which gave the instrument new life beyond it's Baroque associations. Benita Meshulam is widely recognized as the inheritor of Alicia de Larrocha's mantle with her superbly atmospheric recordings of Spanish piano music.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEl amor brujo (Love, the Magician)\u003c\/li\u003e\n\u003cli\u003eScene 1: Introduction y Escena (Introduction and Scene)\u003c\/li\u003e\n\u003cli\u003eScene 1: En la cueva (La noche)\u003c\/li\u003e\n\u003cli\u003eScene 1: Canción del amor dolido (Song of the Suffering Love)\u003c\/li\u003e\n\u003cli\u003eScene 1: El aparecido\u003c\/li\u003e\n\u003cli\u003eScene 2: Danza del terror\u003c\/li\u003e\n\u003cli\u003eScene 2: El circulo magico (Romance del pescador)\u003c\/li\u003e\n\u003cli\u003eScene 2: A media noche (Los sortilegios)\u003c\/li\u003e\n\u003cli\u003eScene 2: Danza ritual del fuego (Para ahuyentar los malos espiritus)\u003c\/li\u003e\n\u003cli\u003eScene 2: Escena\u003c\/li\u003e\n\u003cli\u003eScene 2: Canción del fuego fatuo (Song of the Will-o'-the-Wisp)\u003c\/li\u003e\n\u003cli\u003eScene 2: Pantomima (Pantomime)\u003c\/li\u003e\n\u003cli\u003eScene 2: Danza del juego de amor\u003c\/li\u003e\n\u003cli\u003eScene 2: Final: Las campanas del amanecer\u003c\/li\u003e\n\u003cli\u003e7 Canciones populares españolas (arr. L. Berio)\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eEl paño moruno\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eSeguidilla murciana\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eAsturiana\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eJota\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eNana\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eCanción\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003ePolo\u003c\/li\u003e\n\u003cli\u003eHomenajes\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eFanfare sobre el nombre de E. F. Arbos\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eA Claude Debussy\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eRappel de la fanfare\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eA Paul Dukas\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003ePedrelliana\u003c\/li\u003e\n\u003cli\u003eEl sombrero de tres picos (The Three Cornered Hat) Suite No. 2\u003c\/li\u003e\n\u003cli\u003eI. The Neighbour's Dance: Sequidillas\u003c\/li\u003e\n\u003cli\u003eII. The Miller's Dance: Farruca\u003c\/li\u003e\n\u003cli\u003eIII. Final Dance: Jota\u003c\/li\u003e\n\u003cli\u003eLa vida breve\u003c\/li\u003e\n\u003cli\u003eAct I Scene 1: Ah! Ah! Ande le tarea (Workers of the forge, A voice from the forge, Grandmother, Distant voices, Voice of a vend\u003c\/li\u003e\n\u003cli\u003eAct I Scene 2: Abuela, ino viene! (Salud, Grandmother)\u003c\/li\u003e\n\u003cli\u003eAct I Scene 3: Ah! Ah! Ande la tarea (Workers of the forge, Salud, A voice from the forge)\u003c\/li\u003e\n\u003cli\u003eAct I Scene 4: Salud! (Grandmother, Salud)\u003c\/li\u003e\n\u003cli\u003eAct I Scene 5: Paco! Paco! (Salud, Paco)\u003c\/li\u003e\n\u003cli\u003eAct I Scene 6: Paco! Mi chavala! (Salud, Paco, Grandmother, Workers of the forge, Uncle Sarvaor, A voice from the forge, A voice\u003c\/li\u003e\n\u003cli\u003eAct I Scene 7: Intermezzo\u003c\/li\u003e\n\u003cli\u003eAct II Scene 1: Yo canto por soleares (Cantaor, Voices)\u003c\/li\u003e\n\u003cli\u003eAct II Scene 1: Danza\u003c\/li\u003e\n\u003cli\u003eAct II Scene 2: Alli esta! (Salud, Cantaor)\u003c\/li\u003e\n\u003cli\u003eAct II Scene 3: No te dije? (Uncle Sarvaor, Grandmother, Salud, Carmela, Paco)\u003c\/li\u003e\n\u003cli\u003eAct II Scene 4: Interlude\u003c\/li\u003e\n\u003cli\u003eAct II Scene 4: Carmela mia! (Paco, Carmela, Manuel, Uncle Salvaor)\u003c\/li\u003e\n\u003cli\u003eAct II Scene 4: Last scene: Que gracia! (Manuel, Guests, Uncle Sarvaor, Paco, Carmela, Salud, Grandmother)\u003c\/li\u003e\n\u003cli\u003eEl retablo de Maese Pedro\u003c\/li\u003e\n\u003cli\u003eEl pregón (The Proclamation) (Master Peter)\u003c\/li\u003e\n\u003cli\u003eLa sinfonía de Maese Pedro (Master Peter's Symphony) (Master Peter, The Boy)\u003c\/li\u003e\n\u003cli\u003eScene 1: La Corte de Carlo Magno (The Court of Charlemagne) (The Boy)\u003c\/li\u003e\n\u003cli\u003eScene 1: Entrada de Carlo Magno (Entry of Charlemagne) (The Boy)\u003c\/li\u003e\n\u003cli\u003e2: Melisendra (The Boy, Don Quixote, Master Peter)\u003c\/li\u003e\n\u003cli\u003eScene 3: El suplicio del Moro (The Moor's Punishment) (The Boy)\u003c\/li\u003e\n\u003cli\u003eScene 4: Los Pirineos (The Pyrenees) (The Boy)\u003c\/li\u003e\n\u003cli\u003eScene 5: La fuga (The Escape) (The Boy, Master Peter, Don Quixote)\u003c\/li\u003e\n\u003cli\u003eFinal (Finale) (Don Quixote, Master Peter)\u003c\/li\u003e\n\u003cli\u003ePsyché\u003c\/li\u003e\n\u003cli\u003eConcerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello\u003c\/li\u003e\n\u003cli\u003eI. Allegro\u003c\/li\u003e\n\u003cli\u003eII. Lento (giubiloso ed energico)\u003c\/li\u003e\n\u003cli\u003eIII. Vivace (flessibile, scherzando)\u003c\/li\u003e\n\u003cli\u003eEl sombrero de tres picos (The Three-Cornered Hat) (version for piano)\u003c\/li\u003e\n\u003cli\u003eDanza del molinero (Dance of the Miller)\u003c\/li\u003e\n\u003cli\u003eDanza de la molinera (Dance of the Miller's Wife)\u003c\/li\u003e\n\u003cli\u003eDanza de los vecinos (Dance of the Neighbours)\u003c\/li\u003e\n\u003cli\u003eDanza de la vida breve\u003c\/li\u003e\n\u003cli\u003eHomenaje de Claude Debussy\u003c\/li\u003e\n\u003cli\u003eSerenata\u003c\/li\u003e\n\u003cli\u003eMazurka\u003c\/li\u003e\n\u003cli\u003eSerenata Andaluza\u003c\/li\u003e\n\u003cli\u003eNocturno\u003c\/li\u003e\n\u003cli\u003eCanción\u003c\/li\u003e\n\u003cli\u003eFantasia baetica\u003c\/li\u003e\n\u003cli\u003eNoches en los jardines de España (Nights in the Garden of Spain)\u003c\/li\u003e\n\u003cli\u003eI. En el Generalife\u003c\/li\u003e\n\u003cli\u003eII. Danza lejana\u003c\/li\u003e\n\u003cli\u003eIII. En los jardines de la Sierra de Córdoba\u003c\/li\u003e\n\u003cli\u003e4 Piezas españolas\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eAragonesa\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eCubana\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eMontanesa\u003c\/li\u003e\n\u003cli\u003eNo.\u003c\/li\u003e\n\u003cli\u003eAndaluza\u003c\/li\u003e\n\u003cli\u003eEl amor brujo (Love, the Magician): VIII. Danza del ritual del fuego fatuo (Ritual Fire Dance) (version for piano)\u003c\/li\u003e\n\u003cli\u003eCortejo de gnomos\u003c\/li\u003e\n\u003cli\u003eVals-capricho\u003c\/li\u003e\n\u003cli\u003eAllegro de concierto\u003c\/li\u003e\n\u003cli\u003eCanto de los remeros del Volga\u003c\/li\u003e\n\u003cli\u003ePour le tombeau de Paul Dukas\u003c\/li\u003e\n\u003cli\u003eSuite populaire espagnole (arr. for cello and piano)\u003c\/li\u003e\n\u003cli\u003eI. El paño moruno\u003c\/li\u003e\n\u003cli\u003eII. Nana\u003c\/li\u003e\n\u003cli\u003eIII. Canción\u003c\/li\u003e\n\u003cli\u003eIV. Polo\u003c\/li\u003e\n\u003cli\u003eV. Asturiana\u003c\/li\u003e\n\u003cli\u003eVI. Jota\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5028421963532\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e BRILLIANT CLASSICS\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.24.21\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"NAXOS OF AMERICA, INC","offers":[{"title":"Default Title","offer_id":51234755772718,"sku":"n5028421963532","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0803\/7856\/0814\/files\/3998663-2741387.jpg?v=1762160006","url":"https:\/\/parkavecds.shop\/products\/falla-de-falla-collection-box-cd","provider":"Park Ave CDs","version":"1.0","type":"link"}